Walt Disney Studios Announces 10 New Animated Motion Pictures Through 2012

The Walt Disney Studios unveiled a diverse and ambitious slate of 10 new animated feature films from Walt Disney and Pixar Animation Studios to be released through the year 2012 at a New York press conference held today by Dick Cook, chairman of The Walt Disney Studios, and John Lasseter, chief creative officer for Walt Disney and Pixar Animation Studios.

The line-up includes new films from Disney and Pixar’s accomplished team of filmmakers, and features vocal performances by such top celebrity talents as John Travolta and Miley Cyrus (”Bolt”), Reese Witherspoon, Billy Connolly and Emma Thompson (”The Bear and the Bow”), Anika Noni Rose and John Goodman (”The Princess and the Frog”), as well as return engagements by Tom Hanks, Tim Allen and the rest of the “Toy Story” vocal ensemble (”Toy Story 3″). The roster of new animated features includes six new films from Pixar Animation Studios, four from Walt Disney Animation Studios, and the first four in a series of direct-to-DVD films featuring Disney Fairies from DisneyToon Studios. Starting later this year with the release of Disney’s “Bolt,” all Disney and Pixar animated features will be presented in state-of-the-art Disney Digital 3-D (TM).Additionally, newly converted 3-D versions of the beloved classics, “Toy Story” and “Toy Story 2,” are set to debut in 2009 and 2010 respectively.

Among the upcoming animated films on the 2008 release schedule are “WALL*E” (Pixar) from Academy Award(R) - winning director / writer Andrew Stanton (”Finding Nemo”) opening nationwide June 27th; “Bolt” (Disney) from the talented new directing team of Chris Williams and Byron Howard, due in theatres on November 26th; and the Disney DVD and Blu-ray release of “Tinker Bell,” the first in a new franchise of original entertainment set in the world of Fairies, on October 28th.

The Studio’s 2009 animated slate includes the summer release of Pixar’s first 3-D feature, “Up,” from director Pete Docter (”Monsters, Inc.”) and co-director Bob Peterson, the Christmas Day release of Disney’s original animated fairy tale “The Princess and the Frog” from acclaimed veteran Disney directors John Musker and Ron Clements (”The Little Mermaid,” “Aladdin,” “Hercules,”) and the Disney DVD and Blu-ray release of “Tinker Bell North of Never Land” (working title).

2010 brings the highly anticipated return of Buzz and Woody in the Disney Digital(TM) 3D summer release of Pixar’s “Toy Story 3″ directed by Lee Unkrich (”Finding Nemo,” “Monsters, Inc.”); followed by the Christmas arrival of Disney’s version of the classic fairy tale, “Rapunzel,” featuring the directing debuts of animation legend Glen Keane and directing partner Dean Wellins, and the Disney DVD and Blu-ray release of “Tinker Bell A Midsummer Storm” (working title).

In the summer of 2011, Pixar’s “newt” marks the directing debut of multiple Oscar(R)-winning sound designer Gary Rydstrom. Christmas 2011 brings Pixar’s first fairy tale, “The Bear and the Bow,” from acclaimed filmmaker/writer Brenda Chapman (”The Prince of Egypt”). The Disney DVD and Blu-ray release of “Tinker Bell A Winter Story” (working title) also debuts in 2011.

The year 2012 will mark the return of Lightning McQueen, Mater the tow truck, and an international cast of favorite and new car characters in Pixar’s “Cars 2,” directed by Brad Lewis (producer of “Ratatouille”). Scheduled for Christmas 2012 from Walt Disney Animation Studios is “King of the Elves,” an adaptation of a Philip K. Dick short story, directed by Aaron Blaise and Robert Walker (”Brother Bear”).

Commenting on the announcement, Cook said, “We couldn’t be more proud and excited about our upcoming line-up of feature projects. With so many great films literally on the drawing boards and computer screens, we felt that now was the perfect time to give moviegoers all over the world an update on the state of our art. In a year when our Studio is marking the 80th anniversary of Mickey Mouse, the character that started it all for us, it seems especially timely to share our plans for the future of animation. With John Lasseter and Ed Catmull guiding our creative efforts both at Emeryville and in Burbank, this is as exciting a time as any in our history.”

Lasseter added, “This is an amazing time for animation at Disney and Pixar, and it’s a thrill to be working on such a diverse and original group of films with such an all-star team of filmmakers. The thing I love best about my job is that I get to work at both Disney and Pixar with filmmakers who are passionate about their projects and who are the absolute best in the business. We’re excited to be pushing the boundaries of 3-D and computer technology to tell our stories in the best possible way. At the same time, we’re drawing on our past to emphasize memorable characters, original edge-of-your-seat stories, and believable worlds. Walt Disney and his creative team taught us how to blend comedy, powerful emotion, and action-filled excitement in our films, and this group of incredible filmmakers is bringing their own originality and sensibilities to the process.”

For press materials log on to http://www.wdsfilmpr.com

Source: PRNewswire.com

audio’connell Voices New Political Campaign for Caleem L. Jabbour

Political candidate Caleem L. Jabbour, running for the 38th District’s Representative seat in the Pennsylvania General Assembly, enlisted audio’connell Voice Over Talent to serve as the voice for his campaign’s advertising.

Peter K. O’Connell, president of audio’connell Voice Over Talent, served as the voice talent for Jabbour’s advertising campaign.

audio’connell Voice Over Talent is a worldwide voice over talent service featuring professional English speaking and foreign language male and female voice talents. Services include providing voices for commercials, animation, corporate narrations, broadcast voice imaging, audiobooks, podcasts and messaging on-hold (MOH) all of which are created for advertising agencies, media and broadcast production companies as well as both large and small businesses around the world.

The company also operates Voice Over Workshop (www.voworkshop.com), which provides professional voice over training to novice and experienced voice talent around the world.

Source: audioconnell.com

Rita Pardue’s Nothing-To-Do Fun Shop Chronicled in new eBook

The Nothing-To-Do Fun Shop was produced in conjunction with California State University-Los Angeles as Rita’s Master’s degree project. The program aired on KWNK in the San Fernando Valley and later was welcomed at KCSN in Northridge, California.

This activity/devotional book chronicles the first season’s activities as they appeared in the Los Angeles Family Magazine. Each activity page includes an inspirational family-favorite Bible verse to memorize. Rita Pardue developed a class curriculum traveling to schools teaching radio-related topics including scriptwriting, public speaking and audio production.

Pardue’s passion for children’s radio programming and ten years of producing this non-profit show earned her the Los Angeles Times/NBC 4 Women Making History Award recognizing her goal to provide children and their families with wholesome entertainment and a love for theater of the mind that only radio can deliver so well.

Rita Pardue, MA, BA Radio/TV/Broadcasting has over 20 years experience in radio and voiceovers. She is the owner of Angel Wings Productions. She was the Mid-day LA Host for KKLA,the number one Christian radio station in Los Angeles, 1998-2004. She is a speaker, author and educator.

Rita has created award-winning production, under her company “Angel Wings Productions”, working with clients that include: Walt Disney Home Video, Fisher-Price, Sanrio, Time Warner, and Living Air Products to name just a few.

Source: Rita Pardue via Christian Services Network

Potential for Voice Acting Can Be Realized, Even in Later Life

As president and creative director of Voice Coaches, David Bourgeois works with voice actors from across the country out of his Schenectady studio. His clients have done work for TLC, Discovery, HGTV and WE.

According to Bourgeois, voice talent today is all about diversity. Companies are looking for voices different from the booming male tones often heard in movie trailers and beer commercials.

“We’ve transcended from being an industry where you used to have to be almost born with the voice to do this. The trick for a voice actor today when they are marketing themselves is to try to figure out what is it their voice is a fit for. Then target that aspect of the industry,” Bourgeois said.

Marketers are looking for voices that represent the people they are trying to reach.

“People are more receptive to a message that they feel is like themselves,” he said.

Bourgeois also said older actors do well in the field.

“As you get older, your voice range actually increases. If I put somebody who’s 60 on the microphone, it’s difficult for me to tell how old they are. They could be 40 or 70. They can play a broader range with their voice,” he said.

Bourgeois describes voice work as a special kind of acting.

“In voice acting, it’s what you hear, not what you see. It gives you a special anonymity. You can be anything your voice wants you to be,” he said.

Voice Coaches will present an introduction to voice acting class at 6:30 p.m. Monday at Adirondack Community College through the Center for Personal and Professional Development. John Gallogly, senior creative director for the company, will give locals an overview of the industry in the 2-1/2 hour non-credit “Getting Paid to Talk” class.

Technology has had one of the biggest effects on the field, Bourgeois said.

“Most people think of voice work as being about commercials. Commercials are part of our field, but only about 10 percent,” he said.

Recent growth in voice acting has come from audiobooks, cable television, voicemail systems, video games and the Internet — an area with limitless potential, Bourgeois said.

“That work didn’t even exist if you go back five or six years ago,” he said.

The ACC class is meant to give interested actors a glimpse of the industry, not make them overnight stars.

“It’s designed as an introduction to the field of acting,” Bourgeois said. “What type of voice do we look for today? Where do you look for work opportunities locally? Pros and cons of the field.”

Those attending, however, will get their shot at the real deal.

“At the end of the class, we give everyone in the class a chance to record a short clip under the direction of our producer,” Bourgeois said.

Source: PostStar.com

Kay Levasseur Makes Entrepreneurship Look Easy in SL

Being a serial entrepreneur can present some challenges, but SL business owner Kay Levasseur makes it look easy.

“I have been an entrepreneur for years, and with that carries the skill of extreme multi-tasking along with a pinch of insanity,” says Levasseur who owns a voice talent company, an architecture and building management firm (Vought-Levasseur Building, which she co-owns with her RL husband and SL partner), and Virtual talent, an in-world talent agency.

Her First Life

In her First Life, Levasseur owns and operates a health club and is a professional voice talent.

Says Levasseur, “Any given day, you will find me at the front desk of the health club on my laptop, working on online projects from Second Life businesses to voice auditions. When it comes time for recording, you might find me in the yoga studio at the club with a microphone in my hand, utilizing my portable set-up, at home in my professional studio or at the local radio station, where I’ve worked for over 11 years.”

Talk about multi-tasking!

Levasseur says that time management helps her – to a point.

“Sometimes you just have to devote your time to the project that is calling your emotional and/or intellectual energy,” says Levasseur. “I’ve found that my work in other areas is just not productive if my mind is on some other idea that needs to be worked out.” She adds that her days are long, and her time off is priceless.

The Good Stuff

Some business achievements Levasseur has had in-world include landing a first tenant before the building she and her husband jointly own was even completed. The tenant took not one, but three spaces, giving Levasseur a boost of confidence. Another milestone was getting a booking for a corporate level machinima within her first two weeks in SL.

Her Bottom Line

Levasseur acknowledges that the SL economy is still evolving so she is doing work for “pennies on the dollar” in SL–something she would never do in her First Life.

Says Levasseur, “I think and hope, as more business people find their way into SL, that will change.”

Her initial in-world investment was $50US, and she is now generating enough revenue in SL to keep her business afloat. And buy a few nice outfits.

“I am still earning my living via my RL efforts. However, I’ve made some very good connections in SL that have translated into RL work. Ideally, SL and RL will be integrated parts of my businesses,” she says.

Advice from the Front Lines

Levasseur gives this advice to aspiring entrepreneurs:

1. Understand that your avatar is an extension of you. Don’t let your avatar do anything that you wouldn’t do as a real person. If you must, get another avatar.

2. Write a business plan for each business. Even if its simple, know what your goals are, who your customers are, determine a marketing plan, set up hours when you will work your business.

3. Learn about Intellectual Property Rights.

4. Remember, behind every avatar, no matter what it looks like, is a human being and potential customer or business partner. Treat them as such.

5. Attend business meetings, classes, seminars, etc. You will learn a lot and meet like-minded people.

Source: SL Entrepreneur Magazine

Bettye Zoller New Voice Speech Coach for Bravo’s “Top Chef”

Bettye Zoller, voice and speech teacher, has been selected as voice speech coach for publicity agents of the chefs on the hit TV show on BRAVO called, “Top Chef”, many of whom now have jobs at trade shows, endorsements for cookware, working TV interviews, personal appearances, infomercials, and more.

When asked about whether or not she worked with the chefs directly, Bettye replied, “If a chef needs voice and speech work of some sort, I am called on to improve that person’s communication skills.”

Bettye Zoller began coaching voice and speech in the 1990s when, with three partners, she formed a corporation specializing in corporate training and coaching activities. The corporation also published many books and audio books, several of which were best sellers.

One title, “How to Get What You Want on the Telephone Every Time” was an Audio Book Club Best Seller and still is sold worldwide. It is one eight-minute CD. Another publication, “TALK: The Toolkit for Talkers” continues to enjoy top sales worldwide. The corporation was legally dissolved in 2002 by mutual agreement with the partners moved on to pursue other projects.

Since 2002, Bettye Zoller has been concentrating on voiceovers, audio recording activities, voiceover coaching and teaching but still accepts corporate and private voice speech assignments. Over the years, she has coached politicians, top officials and countless celebrities from the worlds of film, TV, radio, and pageants.

Recent clients of Bettye Zoller include Blue Cross Blue Shield, Blockbuster Video Corporate, Closed Captioning Institute, several U.S. government agencies and celebrities on television.

Bettye Zoller shares, “The thing I like most about voice and speech improvement coaching is that, literally, I CHANGE people’s lives. I have quotes and letters to that effect over the years saying, ‘I wouldn’t have my job without you,’ ‘You are the reason I got my promotion,’ ‘I now can speak in public and I’m selling so many more of my books because of it’ and so on. It’s gratifying! I also teach dialect and accent minimization to the foreign-born (and I also reduce regional accents in one’s native language) and do this for actors as well as voice talents and also business clients not in the arts. One never loses one’s accent or dialect totally, but it can be ‘masked’ and ‘minimized.’”

Bettye also teaches the acquisition of some accents, primarily Italian, German, French, New Yorker, deep Southern U.S. and some others and is a proud member of VASTA, Voice and Speech Trainers Association. A serving member on several college and university faculties over the years, she is degreed through PH.D. studies with two Masters Degrees.

Source: Bettye Zoller

Broadcasters Honor Reading Services for The Blind

The Cincinnati Association for the Blind and Visually Impaired and its Reading Services won two awards at the Ohio Public Broadcasting Awards ceremony in Columbus last month.

The agency won for its public-service announcement about its One on One volunteer program in the Public Information, Short Promotions category.

The Radio Reading Service also received honorable mention in the Program of the Year category for its community-connecting program called “Titanic.”

The public-service announcement was written by Jennifer Holladay, One on One volunteer coordinator, and Jen LaFramboise, volunteer. It was produced by LaFramboise.

The voice talents were Holladay and Doug Cooper, volunteer.

Titanic was produced by Mark DeWitt, CABVI broadcast manager. The voice talent was Brigette Waldmann-Thomas, volunteer, and Sharon Linde, CABVI manager of volunteer services.

Radio Reading Services makes local and world news accessible.

Source: The Enquirer

Broadcasting School with a Sports Journalism Twist

Jim Van Horne sits behind the desk, papers in front of him, his familiar baritone delivering every word with authority.

But this is not the television sports anchor desk that Van Horne sat at for two decades and the papers do not contain hockey scores. This is a classroom at Canada’s newest college and the first private school to offer an exclusive sports broadcasting course.

Van Horne is officially television coordinator at the College of Sports Media, a rather untraditional school housed in the basement of an old ad agency on George St.

It looks more like, well, an ad agency than a school and with only 16 students enrolled in its inaugural semester, the atmosphere is a lot more casual and familiar than the average school.

“I just love this,” says the former TSN and Rogers Sportsnet anchor, who spends the day critiquing and praising the writing and announcing skills of a handful of young hopefuls. “The enthusiasm of the students, their desire to learn is invigorating.”

The college is part of a growing trend towards specialization in sports broadcasting and journalism. As the sports media world experiences an explosion of digital television channels, online streaming and podcasting, new skills are required and the world of education is trying to keep pace.

Scarborough’s Centennial College and Loyalist College in Belleville will soon be offering one-year programs aimed specifically at sports journalism.

“There’s a general belief in journalism schools that if you can do news, you can do sports,” says Centennial journalism program co-ordinator Malcolm Kelly, whose print-electronic course will launch next January. “It’s just not true.

“They just don’t teach sports in journalism schools. There’s so much that’s specific about sports journalism, both in print and electronic.”

The first to tap into that need, at least electronically, was former Score reporter David Lanys, who has turned a daydream into reality in five short years.

Lanys says he got his inspiration while exchanging elbows with other reporters in a scrum following a Maple Leafs playoff game, which gives you an idea how long ago that was.

“One of the reporters in the scrum was asking some of the most ridiculous questions I’d ever heard,” Lanys recalls. “I thought, this person obviously didn’t get the fundamental training in sports journalism.”

That got him to thinking that there was a need for a school to train young broadcasters specifically interested in sports. It also got him thinking about his future.

“I knew I didn’t want to be a field reporter going to a Leafs’ game on a Saturday night when I was 55 years old,” he says. “I wanted something different in my future and even though I loved broadcasting, I always had an interest in business.”

Indeed he did. Lanys has always had an entrepreneurial bent. While in high school, he hired his friends to work for his Streak-Free Window Washers company in the Finch-Bayview area. That venture financed a new car and two European vacations and led to him opening his own consulting company in university.

“I’d go into small mom-and-pop businesses and advise them on what they were doing wrong,” he recalls. “I’d charge $400 or $500 and I didn’t have many clients.

“I hope those companies are still around,” he adds with a laugh.

But an entrepreneurial flair is one thing. Financing a project this big was another.

Lanys came up with a business plan, figuring he needed $1.25 million to open the school’s doors. Television pays well, but not that well, so he hit the banks shortly after leaving The Score two years ago.

The banks weren’t interested, so he started asking around. On a recommendation from an acquaintance, he contacted a tax accounting firm and they hit it off almost instantly.

A deal was struck, but now came the hard part: getting approval from the Ministry of Training, Colleges and Universities so he could grant diplomas and use the term “college” in the school’s name.

Part of that laborious process was enlisting an advisory board that included some of the biggest names in the business including TSN president Phil King, CBC executive producer Joel Darling and FAN 590 general manger Nelson Millman.

“The industry is changing rapidly and schools need to change all the time,” says King. “The more talented people that go into sports broadcasting, the better it is for the industry.”

Lanys says that board gives his school a leg up on others.

“With our instructors and advisory board, the network that our students will have when they graduate will be the one it took me 10 years to develop,” he says.

Lanys hired veteran broadcasters as instructors, adding the likes of former CFRB sports announcer Ray Williams, ex-Raptors reporter Norma Wick and CBC reporter Elliotte Friedman.

But a staff and a proposed curriculum, which included everything from radio to television to new media, weren’t enough to get final ministry approval. The school had to be ready to open its doors.

After a long search, Lanys found an empty ad office near Jarvis and Adelaide. He wanted the ground floor, but price sent him downstairs.

Still, it was a good fit.

“The layout required very few changes,” he says. There was even a sound-proof studio for voice-overs.

Other studios were built, recording equipment, cameras and computers purchased and ministry approval was granted. A sparsely attended press conference was held Nov. 19.

Four days later, the first inquiry came in for the two-year course. Within six weeks, 35 had applied even though no classes had been taught and tuition was a hefty $17,000 a year – Centennial’s is $4,200 by comparison.

Students showed up for their first class on Feb. 4.

They’re a mixed group, including those who’ve graduated university and those just out of high school.

One doesn’t fit the mould, though.

At 45, Patrick Brown looks a little out of place but doesn’t feel that way. A former project manager at Air Miles who took a buy-out package, Brown decided the time was right to follow his dream.

“I’d always wanted to get into broadcasting,” he says. “But I got on another track and suddenly I’m 45 and I figured it’s time to do something different with the rest of my life.”

Brown heard about the new college last fall and placed a call.

“I figured I’d get an answering machine or a secretary,” he recalls. “But Dave Lanys picked up the phone. I kind of liked that.”

Source: TheStar.com

The Art of Risk : How to Control Your Own Performance

How many times do you “put yourself out there”, and see nothing come of it?

Good question. Obviously the answer varies, depending on so many factors, which would be difficult to quantify into a solid statistic.

It is the question as well as the answer that makes more than a few voice actors wonder.

In general, it would be safe to assume that you are in the majority if you take the risk of performing on any level, you run a risk of not booking the job more often than not;

Risk of failure. Risk of rejection, Risk of “de-selection”.

Think about the Oscars. So many actors auditioned for the films and just so many got the job. Only so many many films or actors were nominated, and just a few select won the “golden ticket”.

It’s a hard knock life, folks, but you can make a work for you. To learn more, click on the source link below.

Source: Bobbin Beam

SunSpots Productions’ Zak Miller Celebrates 10 Years and 7,000 Sessions at SunSpots Florida Studios

Think you’ve done lots of spots?

SunSpots Productions Zak Miller may have you beat. He just produced his 7,000th session at SunSpots recording studios Orlando location. If that isn’t reason enough to celebrate, Zak is also celebrating his 10th anniversary with SunSpots Productions.

How many spots is that?

Zak says “You can figure an average 2-3 spots per session, so I imagine I’ve engineered and produced anywhere from 10 to 15 thousand commercials.” Radio and TV commercials, long form industrials, web 2.0 audio and every application you think of where a voiceover is needed has been recorded from Zak’s customized studio.

An avid surfer, Zak had his studio custom painted last year with all walls filled with soft clouds and blue skies melting into a fiery sunset. “Clients love it when they do sessions in my room. They’re surrounded by the beach sunset.”

What about 10 years at one location?

“That’s rare in this business, but I was here soon after SunSpots began in the voiceover and audio production world and I knew the owners were dedicated to excellence. I’ve done things I never could have done when I worked in radio.” Zak was a fixture on Orlando radio station WDIZ for many years. “Last fall, I was flown to LA to be the post-production engineer on an HBO film with Katt Williams. A couple of years ago Larry the Cable Guy was in the studio to lay down ADR for the movie Cars and there’s been other celebs I’ve got to work with here at SunSpots. A couple of weeks ago we were working with Golf Legend, Arnold Palmer.”

Zak’s hard work and dedication eventually earned him the position of Studio Manager of the Florida SunSpots location.

“I’m looking forward to another 10 years at SunSpots. We’re the best in the world at what we do.”

SunSpots co-owner Thomas Rohe, feels the same. “Zak has been there from our baby steps to our giant leaps as we’ve become a world-wide leader in our industry. Whatever we’ve needed, Zak has been there for us, his co-workers, but also our voice talent and our clients. We can’t thank him enough for his hard work and dedication.”

Source: PR.com

« Previous Page — Next Page »